Hey, all you glee gals and geeks! We're bringing a very special episode to you this week — Hamilton the Musical by Lin-Manuel Miranda!
Persepolis is the story of a girl growing up in a time of war and revolution. Together, she and her country must decide who they're supposed to be and who they actually are.
Alicia Berenson is a beautiful, brilliant painter married to one of the best looking fashion photographers in the world. Her life is seemingly perfect, which is why it is so unbelievable that she'd shoot her husband five times in the face and then refuse ever to speak again. What really happened to push her over the edge? It becomes the mission of psychotherapist Theo Faber to find the answer. Will he succeed without losing himself in the process?
Our first YA novel (!!!) tackles racial, economical, and social disparities between the connected members of one city. It follows Jade, a smart girl from a poor neighborhood, who attends high school with the children of Portland's upper-class families. She constantly struggles to find herself, her place, and her voice, in a world bent on ignoring her. She is on the brink of adulthood, trying to figure out who she is and who she can trust.
A naïve and homely young woman in her early 20s escapes a future devoid of opportunity and excitement by marrying a wealthy widower named Maxim de Winter. She soon learns the memory of his dead wife haunts both him and his entire world.
This week's episode has got both the class and the crass.
A short, punchy novel that, according to Goodreads, "finally puts the 'pissed' back into epistolary."
While quarantined, we're excited to share with you this, our very first episode, originally released to a small group of test listeners in 2019. We like to think the quality of our show has improved since then, but this is still one of our favorite episodes! Enjoy!
It’s one of our favorite episodes ever! Join us for this thrilling conclusion to the rich stories of Ida Mae Gladney, George Swanson Starling, and Dr. Robert Joseph Pershing Foster — the three Black-American migrants we’ve followed from the South in part one.
The Coronavirus has nothing on Antebellum and Jim Crow south.
Recent Comments